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Olympus Kit Kogin 5 Mug Rugs or Coasters in White on Indigo SK-KGN013

   
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  • Kit Kogin 5 Mug Rugs or Coasters in White on Indigo SK-KGN013
  • From Olympus of Japan
  • Size: 4in Square, Set of 5
  • Kit Includes: Kogin Indigo Fabric, White and Off-White Kogin Thread, Kogin Needle, Japanese Instructions, English How-To-Stitch Instructions
  • Also needed: Backing fabric, 5in by 20in minimum needed
Olympus Kit Kogin 5 Mug Rugs or Coasters in White on Indigo SK-KGN013. Kogin is currently enjoying a modern revival. This kit is a wonderful way to introduce you to this technique. Five mug rugs or coasters each with a different kogin pattern. Included in the kit is kogin fabric in Indigo, white kogin and off-white thread (your choice, use either), kogin needle, and Japanese instructions. The Japanese instructions have pattern stitching charts and other illustrations that provide graphic directions to complete the stitching and also mug rug construction. We have also included general English Instructions on how-to-stitch kogin.

The following is a brief history of this traditional craft.


Kogin is a traditional Japanese embroidery technique that hails from the great sashiko traditions of northern Japan, but unlike sashiko, is a counted thread technique. Developed in the most northern prefectures of Honshu Island, Kogin was a way to add warmth to hemp and flax clothing. With running stitches in white cotton thread on dark indigo cloth, kogin is said to resemble snow scattered on the ground. It is stitched from side to side, counting over mostly uneven numbers of threads: one, three, five and, very occasionally, seven. Long stitches, avoided on the front of the cloth, may be present on the back, resulting in fabric almost three times its original thickness, trapping air for warmth.

The name ‘kogin’ comes from koginu (ko = small, ginu = wear), the name of a long work jacket. Kogin was also used on sodenashi (‘sleeveless’ waistcoats), although few have survived. Originally stitched as ‘Sunday best’ and festival attire, worn-out garments were demoted to everyday wear, sometimes with extra vertical stitching called niju-sashi (twice stitched) kogin added to reinforce tattered sections; others – somekogin (dyed kogin) – were over-dyed with indigo to hide discoloration.